Confessions of the “Quality” Obsessed…

It’s been a while since I’ve put out or even recorded a video or a podcast. There’s a lot of different reasons for that . Some of which are more complicated than others. 


If you listened to my podcast interview with Daniel Midson-Short, you may have heard me mention that I picked up a second job. As you can imagine that comes with its fair share of time constraints and scheduling complications. I have less available time to meticulously craft podcast episodes and videos in the way that I once did.


However, that’s only part of the story. It’s not the “whole” truth. Yes, my free time has been dramatically reduced but, another big reason that I haven’t been recording or filming lately is an issue of “mind-set”. I’ve been a bit lost, both creatively and personally. I’m in a weird head-space.


In the past year that I’ve devoted my time, effort, and energy to making videos and recording podcasts I’ve started getting obsessed with things I never cared about. Things that I never gave a shit about became vitally important.


Look, I get that over time it’s not uncommon for our priorities to change, in fact we can expect that they will. There’s nothing wrong with varying the levels of importance that we attach to things. There’s nothing wrong with shifting the hierarchy of what we value. But, sometimes we lose something in the shift. Sometimes in shifting how much we value certain things we inadvertently shift our “values”. We move pillars that should never be out of place, and we compromise the structural integrity of who we are.


I didn’t start making videos because I wanted to be a film maker. I never wanted to be a videographer or a cinematographer. As much as I love the art form, as creatively invigorating as it is to film and edit, it’s not my primary aspiration. It’s not my passion. And yet, I’ve found myself becoming increasingly obsessed with camera angles, camera settings, lenses, aperture, frame rates, lighting, audio, mic placement, B-roll, cinematic sequences, setting, background, etc, etc, etc.  In other words, I’ve become overwhelmingly obsessed with the production, the “quality”.


There’s nothing wrong with all the videographic techniques and cinemagraphic speficities outlined above. I’m glad I took the time to learn to do them. But, the simple fact remains I didn’t start doing this for any of that.
I’ve also been unhealthily obsessed with “the numbers”; the subscriber count, the views, the listens, the plays, the likes, the shares, the comments, and the things. We all know the numbers shouldn’t matter. We’ve all either said ourselves or heard other creatives say “don’t create for the numbers”, “the numbers don’t matter” but, saying it and believing it are two different things. Implicitly, in the back of nearly every creators mind, the numbers matter. A lot of us, especially me, will attach our value as a creator, the value of what we create to those numbers. We will interpret those numbers as a numeric representation of how much our work matters, and we start judging the quality of our work based on those numbers. At least, that’s what’s happened for me.


One of my guilty pleasures is Gary Vaynerchuck. Love him or hate him, his energy is intoxicating and his enthusiasm is infectious. I don’t agree with everything he says, but I’ve garnered some valuable and beneficial information from his work.


One of the things I’ve disagreed with about most adamantly is the idea that quantity is more important than quality, because he says that quality is subjective. I think there’s some truth to that. After all art is subjective, we each decide in our own way what we define as art. As much merit as I see in that point I haven’t been able to make the leap to this quantity over quality position.


Interestingly enough, a few months ago Gary Vaynerchuck was interviewed by Matt D’Avella. I think it’s fair to say that D’Avella has a stance on the quality vs. quantity question that it is seemingly antithetical to Vaynerchuck’s. He believes it’s better to put one really high quality video every week than to put out 7 “ok”  or mediocre videos. He favors quality over quantity. For the past year that’s the way I’ve been leaning as well.
When it comes to quantity vs. quality it’s not as simple as an “either/or” question. If art is subjective, if quality is itself subjective, then I think it’s also safe to say that the way in which one chooses to answer or approach this question is also subjective. I think it comes down to self-awareness and consistency.


If the precision and production level of the craft, is your driving factor, and you can be consistent in putting out that work then, I think that’s working just fine for you. In other words, if you’re more motivated to put out one high quality piece of work every week and you can continuously come through on creating and delivering that piece of work week in and week out then, you’ve already won.


But…that’s not what I’ve been doing. I’ve been operating under the auspices of pursuing this “quality” model but, I’ve been anything but consistent. In most cases, I don’t even attempt to film or record when my conditions or circumstances don’t allow for attaining the level of “quality” I feel is “necessary”. In other words, if I don’t feel I have the time or space to get close to perfection then I don’t even try to do anything at all. 


My obsession with “quality” has become counterproductive. “Quality” has become my excuse not to create. “Perfectionism” has become procrastination. Adam Savage says that “procrastination, perfectionism, and analysis paralysis…are the bane of a Maker’s existence”. I can personally and avidly attest to the truth of that statement.


I think I lost my connection to an even more important question, “why did I start?” “What did I start doing this for?” It’s so easy to get lost in the minutia of techniques and all the things that touch the thing you’re doing but, what’s the core of what you’re doing? What’s the heart beat of why you do what you do? If you lose touch with the thing that made you want to start doing what you’re doing then you’ve lost the whole drive, you’ve lost the whole aspiration, the whole motivation, the whole operative significance of the thing.


And that’s where I find myself. I’ve let all the things that touch my work influence my process more than than the central thesis of the work.
So, if I didn’t start any of this to be a film maker, an audio guru, a YouTuber extraordinaire, if I had no interest in becoming a cinematographer or a videographer, why did I start doing all this for? I started doing this because there where things that I wanted to talk about that I wasn’t getting to talk about. There were conversations that I wanted to have that I wasn’t getting to have, and I needed to have, and I still needed to have them. I’ve lost sight of that in the process of just trying to make the shit.


I started doing this because I’m in love with ideas. I’m in love with the kind of ideas that James Victore might call “Dangerous Ideas”. Oscar Wilde said that ” An idea that is not dangerous is unworthy of being called an idea at all”. That is my core. It’s gotten buried in the process but, its still there, and I’m trying to find my way back to it.


How do I get back? I don’t know. I don’t have it all figured out yet. But, this is an attempt to get back to the dangerous ideas, and maybe that’s a dangerous idea in itself. I hope that it is. I don’t know what comes next, but i never have. All I can tell you is that I’m still in the process. If you’re still here then, we’re in the process together. 


Keep showing up, Keep doing the work, FAIL BOLDLY, and let’s make something meaningful.


Shout out to my Patrons and Supporters:
Jim Martin – https://theunusualbuddha.com/
Ben Bridges – https://www.myfpvstore.com/
Rev. Jerry Maynard – https://www.facebook.com/revjerryhtx/?epa=SEARCH_BOX
Jerome Shaw – https://anchor.fm/jshaw
Rajan Shankara – https://rajanshankara.com/


If you want shout outs in podcasts and videos, if you want access to all my behind-the-scenes, patron only content, if you want early access to all my videos, and if you want to be a part of a community of creativity and curiosity, the check out my Patreon page – https://www.patreon.com/duanetoops

Art in Pieces…

Nietzsche says that “One must still have chaos in oneself to be able to give birth to a dancing star.” I can relate. While I can’t say for sure if I’m actually able to “give birth to dancing star”, I can say that everything I create begins in chaos, an inner chaos that manifests itself into outward expression. That physical expression of an internal anarchy is what I call my creative process.


Everything that I make begins its life as a fever of a thought typed into Evernote, a jagged idea roughly hewn and scraped into a notebook or across a Post-It, like the photo above.

The line inscribed on the pictured Post-It note first appears in a conversation I had with Brady Hester on an episode of his podcast. It then took up residence as a random annotation. And, would eventually find a home in an essay called “I Am Grateful for the Insight of the Other.”


This leads me to wonder…


What if it’s the Post-It notes, the scaps of paper, the unseemly assortment of uncured ideas, that are more important then the completed essay?


What if it’s the sketches, the rough drawings, the drafts, that are of greater value than the finished painting?

What if “the process” is the place of artistry?


What if it’s all the various “pieces” that make up a piece of art that are the real ‘masterpieces”? And what if we treated them that way?


What if we created a Gallery of First Attempts, a Museum of the Primordial?


What if we framed the early iterations and filed away the finished product?

Maybe that’s what it means to be liberated from the “outcome”…

I Am Grateful for the Insight of the Other…

Today marks the beginning of National Gratitude Month. I am a person guilty of harboring a multitude of character flaws but, if there is one thing I am especially guilty of it is being an ungrateful @$$hole. There’s a lot that hasn’t been going “well” for me lately, and I am a naturally “Glass half-empty” kind of guy but, I still have so much to be thankful for. While I can’t hope to radically alter my deeply ingrained habit of ingratitude in 30 days, I can make it a point to create spaces and opportunities to be more purposefully and intentionally grateful.


In his book Against Happiness, Eric G. Wilson writes that

“When a person views the world only through his own experience, he divorces himself from the polarized flow of existence, that persistent dialogue between self and other, familiar and unfamiliar.”


I am grateful for Eric Wilson’s writing. I’m grateful for what I’ve learned from it. Grateful that he was actually willing to be a guest on my podcast. And, I am so grateful for what I learned from the insights garnered from our conversation together.


When we fail to engage with the perspective of another, when we neglect the opportunity to see the world from an alternate view, we fail to see the fullness of the human experience, the fullness of the world, the fullness of “Being” itself.


Every one of us are on our own specific journey. Everyone knows something individually that we collectively don’t. Everyone has experienced something that I haven’t. Anytime we get to bridge the gap between ourselves and another person, it can only be fruitful, it can only be enlightening, it can only be insightful.


We live in an amazing time. The opportunities for connection and communication have never been more abundant, more alive, more vibrant, and more readily available. Kwame Anthony Appiah writes that “the worldwide web of information…means not only that we can affect lives everywhere but that we can learn about life anywhere”.  Tim Harford explains that “the modern world gives us more opportunities than ever to forge relationships with people who do not look, act, or think the same way that we do.”


Every encounter with another person is an opportunity to get an insight that we didn’t have before, to get access to knowledge we wouldn’t have come across any other way.


 Jean-Paul Sartre says “The Other holds a secret – the secret of what I am”.

The insight of the Other is insight into ourselves. Revealed in the portrait of the Other is a picture of who we are. To gaze into the eyes of the Other is to glimpse into the reality of Being. To begin to understand the Other is to begin to understand everything.


I am grateful for all the “Others” I’ve been lucky enough to meet and deeply encounter, people who have given me their time to have discussions that continue to teach me so much about myself. I am grateful for the insight of the Other…


P.S. I am also specifically grateful for the conversation I had with Brady Hester on his podcast, The Braddog Media Show, which inspired parts of this post.


Keep showing up, Keep doing the Work, FAIL BOLDLY, and let’s make something meaningful.


If you’d like to support my work, get shout-outs in podcasts and videos, and get access to Patron only content, check out my Patreon Page.